![]() ![]() After training as a painter, he designed sets and costumes for the theater and then for cinema, making his directorial debut in 1917 and becoming a total filmmaker, deeply engaged with everything from construction and lighting to camera placement and editing. Leni would surely have loved the textured images and the care taken with tinting and toning, which are matched to diverse locales and times of day. It’s also as refreshingly eccentric as any Expressionist landmark, which is quite a distinction, given the bedrock eccentricity for which the movement is rightly celebrated.Īlthough the full-length original version has been lost since soon after its premiere-the negative was destroyed in a fire, as restorationist Julia Wallmüller notes in a booklet essay and video interview-a surviving version about twenty-five minutes shorter has long been available, and Flicker Alley’s scrupulously produced Blu-ray and DVD edition is as fine a digital rendering as we’re likely to see. By frisky contrast, Waxworks moves at a lively clip, spinning a string of stories (either three or four, depending on how you count) with a variety of moods, tempos, and settings. But the deliberate rhythms and unhurried narratives of such otherwise magisterial productions as Paul Wegener’s The Golem: How He Came into the World (1920), Arthur Robison’s Warning Shadows (1923), and Henrik Galeen’s The Student of Prague (1926) are more conducive to analysis and contemplation than to the kinetic enjoyment provided by movies with less rarefied creative agendas. Murnau’s Nosferatu: A Symphony of Horror (1922)-are as dexterously entertaining as they are aesthetically radical. Caligari (1920), Karlheinz Martin’s From Morn to Midnight (1920), F. All of the greatest German Expressionist films are photographically atmospheric, architecturally inventive, and psychologically magnetic, and some-Robert Wiene’s The Cabinet of Dr. A Flicker Alley release.Ī defining feature of Paul Leni’s 1924 classic Waxworks, known as Das Wachsfigurenkabinett in its native Germany, is that it’s terrific fun to watch. Blu-ray and DVD, color tinted, 81 min., 1924. They also noticed that the response to commands was "nice and fast." The reviewer thought it likely that the game would become as much of a favourite as the other titles in the series.Produced by Leo Birinsky and Alexander Kwartiroff directed by Paul Leni screenplay by Henrik Galeen cinematography by Helmar Lerski art direction by Paul Leni and Alfred Junge starring Emil Jannings, Conrad Veidt, Werner Kraus, Wilhelm Dieterle, Olga Belajeff, John Gottowt, Paul Biensfeldt, and Ernst Legal. Personal Computer Games said the game had good graphics, but they took a while to draw so the option to skip them was useful. Overall it was considered to be "a standard adventure with standard graphics." Your Commodore thought the game was not as good as the Zork series and with inferior graphics to rival title Dallas Quest. The graphical display was also highlighted, making up for the absence of long room descriptions. The text parser was described as "eccentric" but with "some noteworthy flexibility", being a modified verb/noun form that also allows adverbs and conjunctions ("QUICKLY GET THE LAMP, SWORD, CLOAK AND STAFF", for example). ![]() For example, identifying the British Prime Minister David Lloyd George is exceptionally problematic without first finding a clue to his whereabouts.ĬRASH magazine reviewed Waxworks in the July 1984 issue. Whilst some of the statues are exceptionally easy to identify, others are not so simple without acquiring the necessary clues earlier in the game. Escaping involves finding statues of famous people (like Hillary and Tenzing). The story is about a waxworks in which the protagonist is trapped. It was the 11th game in the Mysterious Adventures series. It was published by Digital Fantasia in 1983 for the Commodore 64, Plus/4, ZX Spectrum, and BBC Micro. Waxworks is an interactive fiction game by Brian Howarth and Cliff J. Commodore 64, Commodore Plus/4, ZX Spectrum, Acorn Electron, BBC Micro, Dragon, Oric
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |